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S-type Wine Rack

Sale price$130.00 Regular price$290.00

Color:RED

Designed with fluid, continuous lines, this S‑type wine rack elevates minimalism into a functional art form. Its one‑piece wavy silhouette is both sculptural and purposeful—created not for decoration, but for the graceful display of wine. Every curve is deliberately proportioned to balance visual lightness with stable support, offering a clean, modern statement that enhances without overwhelming.

Through thoughtful repetition and refinement of line, the designer achieves harmony between form and function—where simplicity speaks, and every bottle finds its place with quiet intention.

• Design: One‑Piece Fluid Wave Form
• Style: Structural Minimalism
• Material: Solid Steel with Matte Finish
• Includes:
1x S‑Type Wine Rack (Holds 3 bottles)


Product Information
Material: Aluminum
Dimensions: Length 150 x Width 167 x Height 302mm
Weight: 1.5kg
Colors: Matte Black, Pepper White, Moss Green, Postman Green, Bordeaux Red, Welsh Red
Notes
ANNOUNCEMENTS
①A single wine rack can hold 6 bottles of red wine (regular size);
②There is an opening at the bottom of the wine rack, which must be reserved for hanging during spraying;

GoGlassCup S-type Wine Rack



GoGlassCup S-type Wine Rack - Goglasscup
S-type Wine Rack Sale price$130.00 Regular price$290.00

Design

Crafting Of Edo Kiriko

The artist marks simple grid lines on the glass without drawing a design to provide the plan's framework. The design grid is drawn on the glass's surface using a bamboo stick or brush with red iron oxide. Next, the baselines of the design are lightly etched using a whetstone. Relying on these fine marks and lines, the delicate patterns of Edo kiriko are created with the artisan's expertise and skills.

First Cut

The base design is cut to about three-quarters of the final width and depth. The surface of the glass is cut using a sand paste-coated metal disc rotating at high speed. Generally, emery powder with many abrasive particles is used to create the sand paste. The clear pattern border lines and the irregular patterns are cut little by little. The balance between the thickness and depth of the cut lines relies upon the artisan's years of experience, as there are no detailed sketches.

Adjustments

The patterns cut in the second stage are adjusted, and the surface is smoothly polished in this process. A whetstone disc, natural or artificial, is used to cut delicate patterns which cannot be created with the metal disc used in the prior process. This is the last cutting stage to complete the designs, so careful work is required not to leave any powder residue and to ensure a brilliant finish.

Polishing

This is the final stage of production, and it is usually carried out on soda-lime glass (most prevalent type of glass). The opaque surface left by the third stage is returned once more to its original transparent state, with the attractive shine and sparkle typical of Edo kiriko. Chemical processing with hydrofluoric acid is also applied for high-class crystal glass. Depending on the piece, a variety of different polishing discs are used, such as paulownia wood discs, willow wood discs, hair brush discs, and belt discs. The final work is polished by applying water and polishing powders to obtain a glittering finish, while fine sections are polished with a cloth or a brush. To complete the final polishing, a cloth buffing disc is used to bring out the sparkle and shine of the cut glass.